(PCM) Surrealist artist H.R. Giger, who is most well-known as the man who designed the famous alien for Ridley Scott’s “Alien” films, has passed away at the age of 74. Sources close to Giger from his museum in Switzerland, claim that the artist died as a result of injuries sustained after a fall in a hospital on Monday.
Giger’s surrealist images have captured the attention of millions over the years. They are most recognizable by his use of blending humans and machines with supernatural, science-fiction and fantasy elements. They often depict very dark, morbid and eerie settings and have been featured throughout the history of pop culture.
Giger’s work on the “Alien” film earned him an Academy Award for special effects and he has also worked on films such as “Species”, “Poltergeist II” and “Dune”.
Many individuals have gotten tattoos of Giger’s work and he has also designed several album covers and artwork for artists such as Emerson, Lake and Palmer and Debbie Harry to name a few. The band Triptykon, who have worked with Giger over the years, have put together an incredible tribute, which I am including below:
“I fight the impending lure of belated sleep
For fear of waking up and you are gone”
Triptykon, My Pain, 2010
For the first time in 74 years, last night was a night not illuminated by the indescribable light that was H.R. Giger.
H.R. Giger became our mentor, against all odds, when we, somewhat audaciously, first established contact with him some 30 years ago. At a time when almost everybody ridiculed, ignored, or even obstructed the music the then almost completely unknown Swiss underground band Hellhammer was creating, Giger listened to us, talked to us, and gave us a chance. Not least at a time when he was at one of many peaks of his path.
A little more than a year later, his exceptionally stunning art made what might be one of Celtic Frost’s most important albums, To Mega Therion, even more significant. Other links to Giger’s universe also manifested themselves, almost as if it was predestined.
Eventually, after many more years, the mentorship became a friendship. It was a friendship and a personal connection I valued infinitely, and it also included his wonderful wife, Carmen, and many other remarkable people that were part of his universe.
When Celtic Frost came to an end so acrimoniously in 2008, H.R. Giger and his wife were among those who witnessed my uncontained despair and stood by me. That Giger subsequently agreed to collaborate with my new group, Triptykon, and thus enabled us to release our first album, Eparistera Daimones, with one of his most dramatic paintings on the cover meant the world to me.
It apparently pleased Giger, too. He told me so on several occasions, and he completely stunned me in October 2011 by proposing that we continue the collaboration between him and Triptykon. I would have never asked for such a thing, because I never would have wanted to appear insatiable. He brushed such reservations aside, and it was his mentorship, friendship, and art that enabled us, once again, to release a second album on which music and cover art formed a seamless symbiosis. Only a few weeks ago, he held the result in his hands and loved it.
Regardless of anything I may write about H.R. Giger, however, none of these words will ever be able to truly, accurately describe him as a person and as a friend. It is utterly inconceivable to imagine a world without his wit, his perception, his genius, his horizon, his determination, his humour, his friendship, and his immeasurable kindness. And yet, we are now left in exactly such a world.
Tom Gabriel Warrior for Triptykon, May 13, 2014
Triptykon/H.R. Giger Photo Credit: H.R. Giger at his house in Zurich, Switzerland, around the time he created Mordor VII, the painting that would one day become the cover of Triptykon’s second album, Melana Chasmata. Photographed by Katharina Vonow in autumn of 1976; used with very kind permission by Katharina Vonow and Carmen Giger