Batman Gets A Musical Parody In The Style Of “Hamilton”!


(PCM) The Broadway musical “Hamilton” is all the rage and of course the recently released “Batman v Superman: Dawn Of Justice” is blowing up at the box office, so it is no surprise that the internet would eventually pair these two juggernauts together, because hey, it’s the internet … why not?

Batman has gotten the musical parody treatment with “Batlexander Manilton” which dead-on mimics the opening song from the Broadway show “Hamilton”. Trust us, this will be stuck in your head for days! The most hilarious part is just how well the parody works out, as both Batman and Hamilton were orphans who were forced to overcome their disadvantages in life by both working harder and being smarter than everyone else.


The post Batman Gets A Musical Parody In The Style Of “Hamilton”! appeared first on The World Of Pop Culture.

The First Tour Of “Beautiful: The Carole King Musical” Comes To Philadelphia


(PCM) Boy meets girl at a Brooklyn high school…and they change music history.

What sounds like an outlandish premise for a Broadway musical is actually true life because the girl was Carol Klein, who later became the music legend Carole King, and the boy was Gerry Goffin, her flawed mate and extremely talented lyricist.

All of this is the story behind “Beautiful: The Carole King Musical,” which will grace the Academy of Music Stage from Tuesday, March 22 to Sunday, April 3. It is the perfect way to usher in spring with some of our favorite pop songs and love ballads.

This is the first national tour of the smash Broadway musical about the early life and career of the legendary and groundbreaking singer/songwriter Carole King and fellow songwriters Gerry Goffin, Cynthia Weil, and Barry Mann.

“Beautiful features a stunning array of beloved songs that audiences will want to sing along to the whole evening,” said Anne Ewers, president & CEO of the Kimmel Center for the Performing Arts.

“Fans will learn so much about Carole King’s rise to stardom, as well the stories of her close friends and fellow songwriters that will show the genesis of some of their favorite songs,” she said.

The show opened on Broadway at the Stephen Sondheim Theatre in January 2014, where it has broken all box office records. The original Broadway cast recording of “Beautiful – The Carole King Musical,” (Ghostlight Records), won the 2015 Grammy Award for Best Musical Theater Album.

“Beautiful” features hit songs including, “I Feel The Earth Move,” “One Fine Day,” “(You Make Me Feel Like) A Natural Woman,” and “You’ve Got A Friend.” The national tour stars Abby Mueller as Carole King and Liam Tobin as Gerry Goffin.

Mueller is the sister of Jesse Mueller who won a Tony Award for originating the role on Broadway. She has starred on Broadway in Kinky Boots, A Minister’s Wife, and numerous regional productions in her hometown of Chicago, including Into the Woods, The Fully Monty and Seven Brides for Seven Brothers.

At 26, Tobin, has an impressive list of credits. A native of Newfoundland, Canada, he played Tony in the International Tour of West Side Story, Alferd Packer in Trey Packer’s Cannibal the Musical and the Sound of Music in Toronto. In regional theater he played Lord Farquaad in “Shrek,” Buddy in “Elf” (The Grand), Lancelot in “Spamalot,” Joe Hardy in “Damn Yankees,” Lt. Cable in “South Pacific” (Drayton), Gabe in “Next to Normal” (Manitoba Theatre Centre), Link in “Hairspray” (Charlottetown), and Joseph in “Joseph and the Amazing Technicolor Dreamcoat.”


Q: Did you do much research into the music?

LIAM TOBIN: I grew up listening to Carole King’s “Tapestry” album through my mom’s love for it. I was attracted to the great story and of course, the great music in the show.

Q: What about research into the real Gerry Goffin?

LT: When you are playing a real person and not a fictional person there are considerations. I watched a few clips that our director had of Carole and Gerry at the piano and I saw how they would interact, so that was invaluable. I really wanted to stay true to the spirit of all of the characters. But in the end, you have to inject a bit of yourself to make it realistic because you don’t want to do an impersonation.

Q: Tell me about your leading lady, Abby Mueller.

LT: Abby has a wonderful voice and a real vulnerability — both when she is on stage and when she is off stage. We get along super well. It is really nice to share the stage every day with someone who is a good buddy – she truly brings the house down for this show!

Q: Tell me about the tour.

LT: We started rehearsing in New York in August and opened the show in mid-September and have been going ever since.

Q: Where and when will your family and friends see the show?

LT: Some of them saw it in Providence and Chicago during Christmas, others will see it next summer in Toronto, a three-hour flight from St. John’s Newfoundland.

Q: Where are you based?

LT: Toronto.

Q: Tell me about the early years, the details of becoming an actor.

LT: I had a group of friends one summer who were in a community theater production of Peter Pan when we were in 9th grade. I kept coming to rehearsal and loved what I saw. I auditioned for the next show, Beauty and the Beast, and was hooked. I was in the ensemble playing a candlestick and a fork at one point and I remember that I had the time of my life. I felt that if I could make a living doing this I didn’t see how I could do anything else. So I took it from there. I always gravitated to the rehearsal room.

Q: Why?

LT: Theater changes people and brings out all sorts of magic. I had never had so much fun as I did with those eccentric, crazy actors.

Q: Which musicals do you love?

LT: I love them all. Musicals have always seemed to speak to me. But this one in particular is a little different from a traditional musical. Most of the songs are performances instead of furthering the plot per se. So we say, ‘Hey is our new song let me play it for you.’

Q: What is life on the road like – the good, the bad and the ugly?

LT: It’s really great. I get to see the whole country. We’ve had some short stays and some long stays. I like that ever week you get to explore a whole new town or a diff part of the country. We try new restaurants and museums.

Q: Is there any down side?

LT: Sure. Living in a hotel without a kitchen can get a little frustrating, because sometimes I want to make my own food. It’s also hard to be away from family, but you do get a surrogate family of sorts. I’ve made some new, amazing close friends.

Q: Is every show different?

LT: Yes. We get different reactions from various audiences. It is interesting to see what jokes they react to.

Q: What are you doing on the road when you are not rehearsing or performing?

LT: I got my pilot’s license this past summer; it’s a big hobby of mine. I love to hop on a plane and do some sightseeing.

Q: How long did it take you to become a pilot?

LT: Four months — all day, every day. I managed to get it done before I moved to New York for rehearsals. It is something I always wanted to do if I had the time, so I figured if not now then when would I do it?

Q: Anything else you enjoy?

LT: I love to read. I play video games so I brought my X-Box on the road with me. I am an avid guitar player. Luckily, these are things you can still do on the road to stay sane.

Q: Is there anyone in the family who is an actor or performer?

LT: Nope. I am the lone one.

Q: What do your siblings do?

LT: I have two older sisters – one is an accountant and the other is in sales with a tech company.

Q: Could you have pursued this brilliant career without family support?

LT: No, not at all. It was something they weren’t familiar with, but they were always in my corner. They always come out to do every show I do. I love having my family around. It is rare these days being around to get to see them; it’s quite a treat

Q: Do you have favorite musicals?

LT: I played Tony in a tour of West Side Story in Europe in 2012 for two and a half years. I was able to see most of Europe during the tour. There was a giant orchestra. I remember this one time in Naples, Italy when we had a 40 piece orchestra – so we were very spoiled with our band

Q: Are there musicals you are hankering to do?

LT: I’ve always wanted to be Cinderella’s prince and the wolf in Into the Woods – I thought that would be fun. I saw the movie and thought it was one of the better versions of a movie musical that has been around for a while.

Q: Do you think there will be a movie of “Beautiful: The Carol King Musical?”

LT: I’m not sure. If they have plans to make it, they haven’t told me.

Q: What are your favorite songs in this show?

LT: I love “Up on the Roof,” and I get to sing a little bit of it and then see the guys The Drifters do their version. I also love to watch them sing “On Broadway” from the wings. It is high energy, it sounds great and the guys are fun to watch. I love the arrangement of “You’ve Got a Friend.” You really can’t stop humming everything – there is not a bad tune in the whole show.

Q: How do you see your character of Gerry? Do you judge his mistakes as a husband?

LT: It is difficult to play a man if you were to judge him like that. I believe that Gerry was at his heart a good person. Yes, he made mistakes. He wanted to be a great husband, father, and friend but he couldn’t seem to do that and he spiraled further down the rabbit hole. The way I tried to play Gerry was not as a villain per se, but more of a kind of a troubled guy who is trying to make his life work out the way he saw it happening, but can’t seem to make the pieces fit together.

Q: How do you see your future – 5 or 10 years from now?

LT: Who knows? Hey, who wouldn’t want to be on Broadway? I couldn’t say. Because if you asked me five years ago. I’m not sure what kind of answer I would have given you. So I try to let things unfold. I also try not to put a whole lot of pressure on myself.

For additional information, please visit

For tickets go to The Kimmel Center Box Office: Call the Box Office at: 215 893-1999, or visit For group sales or 10 or more call (215) 790-5883.

The post The First Tour Of “Beautiful: The Carole King Musical” Comes To Philadelphia first appeared on Movie News & Reviews.

Be Charmed By The Timeless ‘Sound of Music’ At The Academy of Music

soundofmusic1(PCM) Nineteen-year-old Kerstin Anderson was a student at Pace University when she decided to audition for the leading role of Maria in the new national tour of “Sound of Music.”

After auditioning hundreds of lovely young actresses, the show’s director, Jack O’Brien said he had always believed the role of Maria Rainer was a ‘star-making’ part, rather than the leading role everyone remembers from the movies.

Anderson was looking for experience in auditioning and put her best foot forward, not expecting to land a major role. The director says that he had his sights on just the right young woman for this leading role.

“So I went looking for someone with star-making magic,” O’Brien explained. “In through the audition door one day walked Vermont native Kerstin Anderson, still studying at Pace University in New York. With her tomboy persona and country girl appeal, she opened her mouth, she sang, and the tears welled up in my eyes.”

While this is the first tour and many other firsts for the now 21-year-old charming musical theater actress, the show, and the film of the same name, has quite an impressive history. In fact, 2015 marked the 50th anniversary of the film version, which continues to be the most successful – and beloved — movie musical in history.

The lavish new production plays at the Academy of Music from March 15-20, before continuing on its whirlwind tour.

“The Sound of Music,” is one of the most successful and celebrated movie musicals of all time,” said Anne Ewers, president & CEO of the Kimmel Center for the Performing Arts. ”It’s the perfect way to pay tribute to the beloved songs and story that fans have grown up with.”

The production features music by Richard Rogers, lyrics by Oscar Hammerstein II, and a book by Howard Linsay and Russel Crouse. The national tour stars Ben Davis as Captain Georg von Trapp (Broadway’s Violet, A Little Night Music, La Bohème), Ashley Brown as The Mother Abbess (Broadway’s original Mary Poppins, NBC’s The Sound of Music).

Before going on tour with “The Sound of Music, Anderson played Clara in the Pace production of “Light in the Piazza,” directed by Victoria Clark. Her other Pace theater credits include: “The Visit,”(Annie, Dir. John Doyle). Her regional theater credits include: “My Name is Annie King,” (Mav, Scene Space); and “Best Little Whorehouse.” (Shy, The Forestburgh Playhouse).

Her supportive family in Vermont is cheering her as she makes her way across the country in this beloved musical.

Q: So Kerstin, where is the tour today?

KERSTIN ANDERSON: Atlanta, Georgia.

Q: Where did the tour begin?

KA: We opened in L.A. in September.

Q: Tell me about this amazing audition process and finding out you were going to play Maria

KA: I was just finishing my sophomore year at Pace University and got an appointment to audition. I grew up watching the movie and knew the beautiful music. I was really just cutting my teeth going to auditions and had been on a few professional ones before this. I went to go and learn – I did not expect anything. I went and sang “The Sound of Music,” and got one call back and then more call backs. I was doing it for the producers and soon after they asked me if I wanted to see the country. It was unbelievable!

Q: Sounds a little bit like the plot for 42nd Street.

KA: You could say that.

Q: So who from your friends and family has seen the tour?

KA: My family has seen it and that was wonderful. There is something very special when people you love see the work you care about – it seems so real. I loved it! My friends will probably come to Philly since many of them live in New York.

Q: What do you love about the character of Maria?

KA: First of all I grew up in Vermont, so I knew the legacy of the story and have always appreciated “The Sound of Music.” I had seen the movie many times and several stage productions. I grew up about an hour away from the actual Von Trapp Family Lodge, so I also knew quite a bit about the family. We studied them in school; it’s very familiar to me.

Q: What was it like growing up in Vermont?

KA: I am an outdoors person. I may be the only Vermont native who doesn’t ski. But I like to hike and we used to go ice skating in my friend’s back yard pond, when I wasn’t in rehearsal for school productions.

Q: Are there any surprises in this production?

KA: This production has two additional songs, “How Can Love Survive,” and “No Way To Stop It,” they are songs for Elsa and Max. So some people are surprised to know about that. We’ve also put the song “Something Good” in the gazebo.

Q: Tell me your history as a singer and musical theater actress?

KA: I first started when I lived in Ireland for a year and my older sister took an interest in the theater. But I didn’t take it seriously as a career until high school. I studied voice and acting and musical theater at Pace. Then I ended up here – right where I want to be.

Q: Will you return to college when the tour is over?

KA: I hope so. I think so. This is happening for a year and I left school for a year I can pick up where I left off. I really loved being a student.

soundofmusic2Q: Tell me about life on the road.

KA: It has its difficulties. Mostly, it is fun and exciting. There is a new city every week I make sure to talk to my family and friends. It can be both monotonous and chaotic at the same time. You do the same things every day, but you do them in a new city which makes it very exciting.

Q: Any perks?

KA: Yes, I am coffee shop hopping across America.

Q: Sounds like a great name for a travel blog; don’t you agree?

KA: Why not?

Q: How is Atlanta?

KA: We got here yesterday and I have to find my coffee shop, a place where you can sit and do work. It has to have crunchy granola, good coffee and home-like vibe.

Q: Are there tricks you employ on the road to make it feel more homey?

KA: Yes, when I am not working I explore the towns and cities. I have been trying to find a museum in each town. In Atlanta, I will go to the aquarium and look for culture and history that are specific to the towns that we are in. I am looking forward to spring because everything will be in bloom

Q: Have you been to Philadelphia before?

KA: No, I never have. I love the historical cities. I can’t wait.

Q: What is the dream you had of a career versus the reality?

KA: The dream is the reality. I am doing it. I’ve been pleasantly surprised with all of it.

Q: What is the most surprising aspect of the tour?

KA: Before this I had never done a show for more than 14 performances. So I am thrilled and surprised that I actually have the capability to do a show eight shows a week for weeks on end. Through ups and downs and crazy life on tour, the show is like going home; it’s the best part. So, I have felt I truly made the right career choice.

Q: Do you have career advice for young actresses at any stage in their career?

KS: The best two pieces of advices I ever received were: First, to be unafraid to be uniquely you, and secondly, to just work hard. Being willing to share all the odds and ends of who you are — the good the bad and the ugly — so people will see the truth on stage. So be unique and work hard.

Q: Why should people come to see this production of “The Sound of Music?”

KA: It’s a wonderful production. It takes an old classic and breaths life into the scenes. Jack has brought it back to life. It was a little like another classic, “Sleeping Beauty.” No one dared to touch it in a long time. It feels like the piece is fresh and the songs are lovable. The movie is always there and is beloved. And it’s live theater, so that’s also a wonderful thing. What I love about a live production is that it will never happen the same way twice. Coming to see the live production is worth it!

Q: Your director, Jack O’Brien, said he found you charming, saw you as a star in the making and that your heart-felt musical audition made him cry. So how do you respond to that?

KA: When I read his kind words I had to hold back the tears. Then I ran and called my dad and read it to him. I feel so honored and grateful that I get to be here doing something that I love every night. It is a real gift.

For tickets or information about “The Sound of Music” at the Academy of Music in Philadelphia go to: visiting, go to the Kimmel Center Box Office or call. 215 893-1999. For tickets for groups of 10 or more call 215 790-5883.

For more tour information, please go to:

The post Be Charmed By The Timeless ‘Sound of Music’ At The Academy of Music first appeared on Movie News & Reviews.

Maude’s Adrienne Barbeau is Flying High in the Tour of Pippin

AdriennBarbeau(PCM) Adrienne Barbeau is fondly remembered as Carol, the divorced daughter of “Maude” in the popular 1970’s television sitcom, and she is still going strong some 37 years later.

In fact, now she is flying through the air on a trapeze for her current role as the grandmother, Berthe, in the national tour of the beloved time-honored musical “Pippin.” She has been with the show on and off for a year, and after Philadelphia the tour heads to Amsterdam.

The show, from Feb. 23-28 at the Academy of Music, is the Philadelphia premiere of the 2013 Tony Award-winning revival. Described as “an eye-popping, jaw-dropping, visually stunning extravaganza,” this production is the first revival of “Pippin” since its original run on Broadway 40 years ago.

With a beloved score by Tony nominee Stephen Schwartz (“Wicked”), “Pippin” tells the story of a young prince on a death-defying journey to find meaning in his existence. This captivating new production is directed by Tony winner Diane Paulus (“Hair” and “The Gershwins’ Porgy and Bess.”)

“The Kimmel Center is honored to share the Philadelphia premiere of “Pippin” with our audiences,” said Kimmel Center President and CEO Anne Ewers. “The well-known songs, combined with eye-catching acrobatics, add a new dimension to the artistry of modern-day Broadway productions.”

Now 70, Barbeau, has lived a full life and is still enjoying a rather brilliant career as an actress, writer, voice actor and more. She has made 25 movies, including “The Fog,” “Escape From New York,” “Back to School,” and “Creepshow.”

She was nominated for a Tony Award for her performance as Rizzo in “Grease,” and got her theatrical start in one of her favorite musicals, “Fiddler on the Roof.”

She is also a best-selling author, and a doting mother to three grown sons.

Barbeau has made more than 500 television appearances from the daughter, Carol, in “Maude” to Ruthie, the Snake Dancer, in HBO’s “Carnivale.”

Although so many years have passed, Barbeau still finds fans of “Maude” regardless where she travels. The cutting-edge Norman Lear show, a spin-off of “All in the Family,” aired from the fall of 1972 to the spring of 1978.

“Maude” was about the title character, an outspoken, middle-aged, politically liberal woman whose overbearing and sometimes domineering personality often gets her into trouble when speaking out on these issues.

The character of Maude was living in suburban New York, with her fourth husband, and her daughter, Carol, a single mother and independent woman, played by Barbeau. It was a role that gained her legions of fans, who still enjoy telling her stories of how her character and the show positively impacted their lives.

Q: What are you enjoying about your role in “Pippin?”

Adrienne Barbeau: I absolutely love every aspect of it. I love the character, as well as the opportunity to hang upside and sing my songs from a trapeze.

Q: Is there anything else that especially appeals to you?

AB: Yes. I would say that getting to know the United States. I have visited certain cities that I never would have visited on my own. It was a little more difficult in the beginning because during the first couple of months my sons were in high school in L.A. and I took time off to get back for them. Now, they are in separate colleges, so I don’t have as much of a pull – although my dog would like me to home. But nothing else is demanding my attention in L.A. so I am just having a great time.

Q: You became the mother of twin boys at age 51 – that had to take guts.

AB: I would answer that the same way I would reply to, ‘how can you go on the trapeze without a net?’ I would say, ‘hasn’t it all been wonderful?’ I already had an older son, and having twins was such a different experience. I was overjoyed when my twins came along – all three of them are the greatest joy of my life.

Q: How are your sons doing?

AB: Really great. My eldest son is 32 and getting ready to go on the road with his father, John Carpenter, and my twins turn 19 on St. Patrick’s Day. One is playing soccer at Brown and the other is in fashion merchandising at Marist College in Poughkeepsie, New York. He is a true entrepreneur intent on owning a line of men’s clothing.

Q: What do you attribute your long, rich and diverse career?

AB: I always just wanted to work. I love to work. I come from a strong work ethic; my mother, Armene, who died at age 81 was still working at two volunteer jobs and a paid job. My Aunt Ruby who is 100 years old would be working if she could. I come from a family of Armenian women who had that mindset – you grew up and you worked. I love it. That’s what it comes down to it. I don’t feel I did a day’s work in my life because I enjoy it so much. I love all of it!

Q: Is there any downside?

AB: Sure, I don’t enjoy having to audition. That’s the least enjoyable aspect of it all.


Q: I have to ask you about your TV show “Maude,” and the long legacy of the show. What are fans saying to you?

AB: People are still watching it. The entire six seasons of the DVDs were released a year go and people are watching it again. I still have many people who come up to me and say, ‘My character or Bea’s character gave me a road map for how I could be in the world as a young woman in the ‘70s,’ – at a time when we didn’t even get the Equal Rights Amendment (ERA) passed.

Q: There must be so many stories people have shared with you over the years. Can you tell me one that really resonated with you?

AB: I had a young man come up to me at a convention and he said, ‘I learned from that show that people could yell at each other and still love each other.’ He went on to say that he didn’t have that in his family; they just had the yelling.

Q: That is pretty profound.

AB: Yes. The show had a major effect on a lot of people – especially – independent women. Maude was certainly independent, and my character, Carol, who spoke up for what she believed in and she spoke up for women’s issues. Norman Lear’s liberal philosophy was delivered with so much humor that it was palatable even to those who didn’t agree. That’s what Norman brought to television starting with Archie Bunker in “All in the Family.”

Q: They say you never quite know how great a project like that is while you are in the thick of it. Do you agree?

AB: Oh, yes. I didn’t realize how fortunate I was to be associated with the show. All of a sudden I discovered not everyone was as professional and caring about the material as Bea Arthur was. The show was great on every level and I was so proud to be associated with a show that had some social significance – not just pratfalls and silly jokes. I was just so lucky to be associated with a show that was so important.

Q: What advice do you have for someone who wants a career in entertainment?

AB: When it comes to careers if you can find something you love and earn a living doing that, that’s the greatest gift you can have in your life. I don’t care what my sons do as long as they love it.

Q: Anything else you want to add?

AB: As an actor, the more you can know and can discover about yourself – meditation, therapy, and reading – they better off you will be. You need to learn what drives you, why you react the way you do, and what your strengths are. If you do that, the better off you will be in this industry. I just think self understanding and self exploration is the key to making it work,

Q: In addition to your acting career on television, film and Broadway, you have written four books. How did that come about?

AB: It’s a total surprise to me. I never thought I would have written something than anyone else would read.

Q: How did it happen?

AB: I sort of stumbled on it through a bazaar happenstance.

Q: Do tell me about it.

AB: I met my closest friend film editor on my oldest son’s first day of preschool, and this wonderful woman died from breast cancer in 1998. On the first day of preschool for the twins I met a woman who looked just like my deceased friend. It turns out, she too, was a film editor and she had breast cancer. It seemed like we were destined to be close friends. During our first conversation she told me about a woman who had been on Broadway in musical comedies, and she was teaching a writing class for actors. I felt like my late friend, Suzanne, was telling me I had to take the class. The teacher lived a half a mile away, and I started taking the class.

Q: Then what happened?

AB: I started doing the writing assignments for homework and was writing about my career and my jobs. After six months the teacher told me to get an agent. She said I had a memoir and that I could get it published. That book became my memoir, “There Are Worse Things I Could Do.”

Q: So that was another creative outlet for you.

AB: Yes. Then I co-wrote a vampire book for my horror genre fans, got a deal for two books and the digital publisher asked for a third one, “Make Me Dead.” I finished that one before I went on the road for Pippin. All of this is something I never anticipated happening. The great part of the writing is it is something I can do and not be dependent on anyone else for the creativity. I can just sit down and create. Also, I can do it while I’m on the road with this show.


Q: Tell me about the younger actors in Pippin, and do you give them advice?

AB: These guys are so good there is no advice I can give them other than they should always take care of their health. It is truly jaw-dropping what the acrobats in this show do. It is a remarkable cast and they are all doing exactly what they are doing. Maybe, once in a while, I will tell them to go home and get some rest

Q: What’s next?

AB: I will be taking the summer off to spend time with my sons. There is the possibility of another TV show, but it’s too early to talk about, and nothing is committed. I also have some voice over work for the video games.

Q: Thinking back over the years was the dream of your career anything like the reality?

AB: No, I never thought farther than the next step. I am not a planner. When I went to New York I remember saying to myself or writing in my journal that I would try this until I’m 25 and if I’m not making a living I will go back to school and teach. So it was about what ever came along and sounded interesting. I never had a plan. I never really anticipated becoming a professional actor. I didn’t know anyone who was. I didn’t know it was an actual job.

Q: So then what happened?

AB: A friend of mine suggested I go to New York and study, so I saved $1,000 working for a termite exterminating business on Saturdays and after school. I put everything I had in a box and told my mom when I had an address she could send it to me. I got a job at night so I could go to open calls. I went to a casting director who called me in for an audition and I got the part of Tevye’s second daughter, Hodol, in the Broadway musical “Fiddler on the Roof.” It is still one of my favorites; I have also played the mother, Golda, a few times.

Q: The current revival for the 50th Anniversary is beautiful and emotional – you should do your best to see it. I loved it!

AB: I am going home to L.A. after the tour. But I would love to make a trip to New York soon to see it and some other shows – I will try to make that happen.

Q: Thank you so much, it has been a pleasure.

AB: Enjoy the show!

Tickets for “Pippin” may be purchased by calling (215) 893-1999, at the Kimmel Center Box Office, or go to: Group sales are available for groups of 10 or more by calling (215) 790-5883.

For more information on the tour, go to:

To check out more about Adrienne Barbeau go to:

The post Maude’s Adrienne Barbeau is Flying High in the Tour of Pippin first appeared on Movie News & Reviews.

Beauty and the Beast Brings Magic to Philadelphia


(PCM) When stage actor Kevin Kulp isn’t singing or dancing his heart out in the enchanting touring production of “Beauty and the Beast,” he finds other outlets for his creativity.

At age 24, the Morristown, N.J. native is thrilled to be coming back home for the Philadelphia return of the smash hit Broadway musical from February 16-21, as part of the Broadway Philadelphia 2015-2016 season.

The current touring show, which is produced by NETworks Presentations, reunites the creators of the original Broadway production, and promises the same magical experience.

Disney’s “Beauty and the Beast” is the classic story of Belle, a young woman in a provincial town, and the Beast, who is really a young prince trapped in a spell placed by an enchantress. If the Beast can learn to love and be loved, the curse will end and he will be transformed to his former self. But time is running out. If the beast does not learn his lesson soon, he and his household will be doomed for all eternity.

Based on the 1991 Oscar-winning animated film and celebrating 21 years since its Broadway premiere in 1994, “Beauty and the Beast” is the 9th longest running musical in Broadway history. It has become an international sensation seen by more than 35 million people worldwide in 22 countries, and translated into nine different languages. This production began in February 2010 and has been seen by nearly three million people.

“It’s always a special treat when we’re able to invite families and theater loves to come to the relive a classic like Disney’s “Beauty and the Beast,” said Kimmel Center President and CEO Anne Ewers. “This treasured story, now brought back to life by the Broadway production’s original creators, is sure to be a must-see for fans of all ages.”

Kulp plays a townsperson and enchanted object. His credits include: “Anything Goes”  at The Marriott Theatre, “Miss Saigon”  at the Walnut Street Theatre and Signature Theatre, “A Chorus Line” (Paul), and “The King and I” at the Walnut Street Theatre and Olney Theatre.

Q: When did you join the current tour of “Beauty and the Beast?”

KEVIN KULP: I joined the tour in August. We had three weeks of rehearsal in New York City and we left for the road in September and I am contracted to be with the show until the end of July. It was a long audition process, with lots of call backs. I was there tumbling, singing and acting. We are in Daytona Beach, Florida today and soon head to Philly – my back yard.

Q: Where did you grow up?

KK: Morristown, N.J. Right outside of Philly.

Q: When did you first get the acting bug?

KK: It started when I was little. I sang with the Philadelphia Boys Choir with four years and traveled with them, and we sang a lot of songs from musicals. I was also in The Nutcracker every year at the Academy of Music where “Beauty and the Beast” will be performed so that is thrilling. I loved performing every day and I guess you could say it started from there.

Q: You have tons of local connections?

KK: Yes. I graduated from Muhlenberg College in Allentown, and was in a few shows at the Walnut Street Theater.

Q: Coming home must be exciting. Who is coming to see the show?

KK: I have had lots of friends from Florida, Portland, and L.A. seeing the show at various venues. Now my hometown friends and my family will be coming to Philly, so that is really special to me to be able to share it with them.

Q: Are there any other performers in your family?

KK: No, I am the only one.

Q: Have your parent been supportive or concerned about a show business career?

KK: My parents have been encouraging; they have been truly amazing. They have been my number one supporters since I was little. They have always driven me to auditions and helped in any way that they could.

Q: What do you love about this show?

KK: I love performing in front of an audience every night, and “Beauty and the Beast” is such a fun show it is hard to love it. When you see young children, families and several generations all sharing this, it is really gratifying to see that such a loved musical that everyone has some connection to.

Q: What are some of your of your other favorite Broadway musicals?

KK: I love the classic Rogers and Hammerstein musicals — shows like “Carousel” and “Sound of Music.” I also have a friend from college who is in the current 50th anniversary production of “Fiddler on the Roof” on Broadway.

Q: Are there surprises being part of a tour like this?

KK: Yes, the traveling. You don’t realize what it’s going to be like constantly being on the go – packing and unpacking and checking into the different hotels. We don’t have any breaks so we can always moving and exploring the cities during the day and performing at night. It is great; but so much more involved than I thought. I didn’t realize the entirety of touring before I did it.

Q: How do you relax when on tour?

KK: A lot of times we will just go out and explore. A lot of the dancers get massages since we are constantly on our feet. The temperature is going up to the high 70s today in Daytona, so many of us will head to the beach.

Q: What else do you do to chill out on the road?

KK: I really like music. I have made a lot of play lists on the road and get the chance to listen to full albums during our travel days. Music is one of my main relaxation outlets. I also really like photography, so I do a lot of photo blogging on Instagram. [Please follow him on Instagram @Kulpy].

Q: Being on the road – what do you miss the most?

KK: My family and friends. And little things – like having a kitchen and being able to cook. Being constantly on the move and being in hotels you don’t get to cook. But sometimes we share an apartment and we can cook.

Q: What is the initial dream versus the reality of your career?

KK: Five years ago the dream would be to tour and travel – exactly what I am doing now. You don’t really don’t know what tour life is like until you do it. Going places on a bus. Living out of a suitcase and performing eight shows a week. It is not a normal life. We perform throughout Christmas and the New Year’s season. We don’t get weekends or holidays off. So I am living the dream – but the reality is that it is also a job and hard work, albeit work that I truly love.

Q: Were you familiar with “Beauty and the Beast” before this tour?

KK: My childhood friend played Chip on Broadway when he was younger and we went to see it together after he retired. So, I have a long history with the show. And we have the same creative team that mounted the show in the ‘90s. so it was really great to be working with the same artistic team that presented it then.

Q: I hear you become good friends with those on tour. Are you pals with your roommate?

KK: Yes. I have an amazing roommate and he is one of my closest friends now. I know that we will remain friends after the tour. We will be sharing an apartment in downtown Toronto when we get there and can escape the hotel living and cook some nice meals. I look forward to that.

Q: Do you have any advice to young people who want to follow in your footsteps in pursing musical theater, theater or an entertainment career?

KK: Yes. I would advise someone to really think if this is what your passion is and if you want to make this your career, because you may get 100 rejections before you get a part or an offer. Even after all that you can never get disappointed in yourself, you can’t let the last rejection affect the rest of your day. If this is what you love to do, you need to put yourself out there and something is bound to come out of the auditions and stick. I would also say, audition, audition, audition!

Tickets for Beauty and the Beast and other Philadelphia Broadway series shows may be purchased by calling (215) 893-1999, visiting, or at the Kimmel Center Box Office. For group of 10 or more call (215) 790-5883.

For more tour information, visit

The post Beauty and the Beast Brings Magic to Philadelphia first appeared on Movie News & Reviews.

The Phantom Of The Opera On Broadway January 26, 1988

PHANTOM-articleLarge(PCM) The Phantom of the Opera did not get its start on Broadway.  The Andrew Lloyd Webber musical opened On The West End London, at Her Majesty’s Theatre on October 9, 1986.  The West End is London’s equivalent to New York City’s Broadway.

The Phantom however has a much longer history than that.  The Phantom of the Opera was a French novel by Gaston Leroux and was published in 1910 soon drawing a worldwide audience.

Gaston’s Phantom is one of the 20th century’s favorite monsters.  He is in the league of Frankenstein, Dracula, The Mummy, The Werewolf and The Creature from the Black Lagoon and the creature’s popularity has gone down in popularity in the wake of, the creation of different comic book characters such as Swamp Thing.

The Phantom is different from all the other monsters sighted above as he was not born of science or the supernatural, the Phantom was born deformed.

That is the key to popularity of The Phantom of The Opera.  The Phantom has a name, Eric, and he is a musical genius.  His talent far surpasses anyone else of his time, but his looks keep him away and isolated from human contact which ultimately drives him insane.  He may be a kidnapper and a murderer, but there is something about Eric that makes us feel compassion for him.

The Phantom is different in another way too.  He has The Paris Opera House.  The Paris Opera House opened on the January 5, 1875, but the building was actually begun in 1861.  It took almost 14 years for the building to be completed.  Much of the delay was caused by France’s continual change of government.  For awhile, before the opera house was completed, it was used as munitions warehouse.

But in 1875 it finally opened.  The Paris Opera House is still the biggest opera house in the word.  It does not, however, have the most seats, that honor goes to more modern theaters.  The Opera House itself was not just a place to hear great music, but also a place to be seen and a piece of artwork all on its own.

The Opera house contains galleries, sweeping staircases, rooms big enough to hold balls and other forms of entertainment, as well as its central attraction of The Grand Staircase.  Gaston Laroux spent may hours searching out the corners of the famous theatre while writing his novel

The Opera House also has a huge amount of space backstage.  When the building was first begun it was found that the land covered an underground stream.  This was drained but also incorporated in the opera house.  A lake was created deep under the stage and the water used to run the hydraulic lifts on stage.  There was a stable able to care for 20 horses and many dressing rooms and make up rooms.  In many ways the Paris Opera House is a dream come true for both the audience and the performers.

It was here that Gaston Leroux set his novel.  In many ways the Paris Opera House is as much a character in the story as the people themselves.

In brief The Phantom of The Opera is a story of a deformed man who reigns over the opera house.  He becomes fascinated with a young singer named Christine and begins to teach her how to sing.  In his own way he falls in love with her and brings her to his home deep in theater on the lake.  Christine, at first, thinks her teacher is an angel but comes to find out that it is just the opposite.

Christine, in the mean time, falls in love with a young nobleman named Raul.  The two decide to run off together but the phantom knows of their plans and cuts the chandelier over the audience in retaliation, killing many.  The Phantom then kidnaps Christine and takes her to his lair where she kisses his deformed face and he lets her go.  The Phantom leaves the Opera House never to be seen again and Raul finds Christine.

The Phantom would go through different film adaptation of the story before it would make it to Broadway.  The first was the silent film version starring Lon Chaney appearring in 1925.  Webber would rely heavily on this version for his musical.

Another film version many people are familiar with is the 1943 adaptation starring Claude Rains.  This version however basically shreds Leroux’s novel and is more a vehicle for Nelson Eddy to make a comeback in.  It is not considered a great film, but it is the one many have grown up with.  There has been others as well most of which are of even less quality.

The Phantom became great again with the musical of 1986.  When the show opened in London it starred Michael Crawford as The Phantom and Sarah Brightman as Christine.  They would bring their performances to New York City when The Phantom of the Opera opened on January 26, 1988 at the Majestic Theater.  The show has never closed and is currently the longest running show on Broadway.

A film version of the musical was released in 2004.

The Phantom Of The Opera On Broadway January 26, 1988 was contributed by a Myth

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