‘Get Out’ Film Review

(PCM) We can’t come up with enough praise for Jordan Peele’s directorial debut “Get Out” which will be released via Universal Pictures. Peele did a fantastic job with this film which he both wrote and directed. It was an edge-of-your seat thrill ride from beginning to end. While the film’s premise may have stirred up some controversy, it was one of the most brilliant takes on race relations that we have seen.

At no point in time did the film come off in any way as offensive and because of Peele’s background in comedy, being one half of the comedy duo Key & Peele, there was a perfect blend of satire and comedic moments tossed throughout this film as a way to break-up some of the more tension-filled scenes. The pacing was spot-on and at no point did the film drag or feel forced in one particular direction or another to drive the plot forward.

Now that Chris (Daniel Kaluuya, Sicario) and his girlfriend, Rose (Allison Williams, Girls), have reached the meet-the-parents milestone of dating, she invites him for a weekend getaway upstate with Missy (Catherine Keener, Captain Phillips) and Dean (Bradley Whitford, The Cabin in the Woods).

At first, Chris reads the family’s overly accommodating behavior as nervous attempts to deal with their daughter’s interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he could have never imagined.

Equal parts gripping thriller and provocative commentary, Get Out is produced by Blumhouse’s Jason Blum, as well as Sean McKittrick (Donnie Darko, Bad Words), Edward H. Hamm Jr. (Bad Words) and Jordan Peele. The film also stars Caleb Landry Jones (X-Men series), Stephen Root (No Country for Old Men), Milton “Lil Rel” Howery (The Carmichael Show), Betty Gabriel (The Purge: Election Year), Marcus Henderson (Pete’s Dragon) and Lakeith Stanfield (Straight Outta Compton).

When speaking about the production process for various scenes in “Get Out”, Jordan Peele comments, “In one, you’re trying to get a laugh, and in the other, you’re trying to get a scare. It was exciting for me to use everything I’ve learned in comedy for my favorite genre, which is ‘thriller.’”

Peele went on to explain that the idea for the film, “came from my wanting to contribute something to the genres of thriller and horror that was unique to my voice. The fact that it goes to race goes to the area I’ve worked in a lot, which is comedy. This was a movie that reflects real fears of mine and issues that I’ve dealt with before.”

We highly recommend “Get Out” for those who are fans of a solid thriller and can wholeheartedly agree with the critical praises this film has been receiving. You can both watch and listen to our full review of “Get Out” below:

Pop Culture Madness! – “Get Out” Film Review

For additional information on “Get Out” please visit:

Official Site


The post ‘Get Out’ Film Review first appeared on Movie News & Reviews.

The Plans for ‘Rogue One: A Star Wars Story’ In-home Release Are Here!

(AOTN) These days it’s hard to go a day without hearing some news about the Disney owned Star Wars franchise and that’s a great thing for fans of the franchise, especially when it’s good news. Today is one of those days! Disney has released new details on the in-home release of 2016’s blockbuster hit Rogue One: A Star Wars Story.

Rogue One: A Star Wars Story will be released on Digital HD on March 24th and Blu-ray on April 4th. Along with those release dates, Disney also released box art for the Blu-ray as well as what bonus content will be included with the release.

The Blu-ray will include:

  • A Rogue Idea – Hear how ILM’s John Knoll came up with the movie’s concept – and why it’s the right film to launch the Star Wars stand-alone films.
  • Jyn: The Rebel – Get to know Rogue One’s defiant, resourceful survivor, and hear what it was like for Felicity Jones to bring her to life onscreen.
  • Cassian: The Spy – Diego Luna shares insights into his complex, driven character, who becomes a hero through selflessness, perseverance and passion.
  • K-2SO: The Droid – Explore the development of this reprogrammed Imperial droid, from initial pitch and character design through Alan Tudyk’s performance.
  • Baze & Chirrut: Guardians of the Whills – Go deeper into the relationship between these two very different characters, with Chinese superstars Jiang Wen and Donnie Yen.
  • Bodhi & Saw: The Pilot & The Revolutionary – Forest Whitaker and Riz Ahmed reflect on Saw Gerrera, the broken Rebel leader, and Bodhi Rook, the Imperial pilot who defects.
  • The Empire – Meet a dangerous new Imperial adversary…and cross paths once more with the most iconic villain of all time.
  • Visions of Hope: The Look of “Rogue One” – The filmmakers describe the challenges and thrills of developing a bold new look for the movie that can fit within the world of the original trilogy.
  • The Princess & The Governor – See what it took to bring the vibrant young princess of “Star Wars: A New Hope” – as well as one of her most memorable foes– – back to the screen.
  • Epilogue: The Story Continues – Filmmakers and cast celebrate Rogue One’s premiere and look forward into the future, to the Star Wars stories yet to be told.
  • Rogue Connections – Uncover Easter eggs and film facts hidden throughout the movie that connect “Rogue One” to the Star Wars universe.
    * Digital bonus offerings may vary by retailer.

Rogue One: A Star Wars Story made $155,091,681 (US) its opening weekend and grossed $993,446,595 (Worldwide) over the course of it’s theater release. The film has also earned two nominations for this year’s Oscars, one for Best Achievement in Sound Mixing and the other for Best Achievement in Visual Effects.

The post The Plans for ‘Rogue One: A Star Wars Story’ In-home Release Are Here! appeared first on Age of The Nerd.

‘A Cure For Wellness’ Film Review

(PCM) Gore Verbinski has returned with a masterful tale called, “A Cure for Wellness”. The visionary director hit gold with The Pirates of the Caribbean series including: Dead Man’s Chest (2006) which made the industry record with the highest opening weekend of all time. Gore Verbinski would also introduce fans to the horror hit 2002’s “The Ring”.

Verbinski has returned to the horror genre with his latest film. “A Cure for Wellness” follows the story of an ambitious young business man who is sent to a remote “wellness center” in the Swiss Alps to bring the CEO of the company back home. The young man soon realizes that the treatments at the wellness center are nothing as it seems.

Dane DeHaan (The Amazing Spider- Man 2, Chronicle) portrays the young business man named Lockhart. The character isn’t likable from the very start. DeHaan, does an amazing job portraying a character who is so self-absorbed that he is blind to the occurrences going on around him. This is done by showing Lockhart all about work and not really caring at all about his dying mother, and just having a cold exterior. Audience opinion of the Lockhart character slowly turn as we witness what he goes through to uncover the horrible secrets of the wellness center. Harry Groener portrays Pembroke the embattled CEO that seems to be out of his mind at times when talking to Lockhart. Jason Isaacs plays the mysterious Volmer, who is the facility director. The character of Volmer comes off as charming, but audiences can tell that something is amiss when he first appears onscreen.

Mia Goth portrays Hannah a mysterious girl who hangs around the wellness center. Hannah is shy and doesn’t speak that often. It is blatantly obvious that she knows a little more of what’s going on in the wellness center than other people. Mia Goth does an outstanding job with this role. It can be challenging for an actress to hold her own with two great actors that have more screen time than her, but she nails the performance of Hannah.

The movie is long, with a run time of 146 minutes, that is a lot of time to invest in a film. Verbinski does a good job pacing out the movie to catch the viewers interest. The story was written by Verbinski and Justin Haythe. The story is flawed in a couple areas. In one scene when Lockhart first gets to the wellness center he signs his name at the bottom of a clipboard presuming he’s signing into see a guest. What Lockhart is signing is his consent to stay. In the story, Lockhart is portrayed as a very meticulous person. Yet he does not read what he is signing.

The film is set in present day, but has a feel like it was set decades ago. The set designs for the wellness center are amazing and gives it an extra special creepy feeling. The team of Bojan Bazelli, and Verbinski, work marvels together. They first worked together on The Ring 15 years ago, and the two prove they can shoot a marvelous film that combines ambiance and horror. If you are squeamish you might be hard pressed to watch this film. This film features eels in all their wiggly glory. There’s eels in a bathtub, a pool, and a sensory deprivation tank to name a few.

20th Century Fox took a big chance with this film, but it looks like they hired the right man for the job. When first viewing the trailer many fans will see similarities between “Shutter Island”, but upon viewing the film “A Cure For Wellness” stands on its own.

The post ‘A Cure For Wellness’ Film Review first appeared on Movie News & Reviews.

Closing the IMDb Boards: A Blessing for True Film Lovers, A Needed Wake-Up Call for the Internet

(AOTN) If one were to recently visit the message board for their favorite movie or TV show on IMDb, like many people in the last few weeks have, they most likely have seen this posted at the top of every board since the beginning of February:

“IMDb is the world’s most popular and authoritative source for movie, TV and celebrity content. As part of our ongoing effort to continually evaluate and enhance the customer experience on IMDb, we have decided to disable IMDb’s message boards on February 20, 2017. This includes the Private Message system. After in-depth discussion and examination, we have concluded that IMDb’s message boards are no longer providing a positive, useful experience for the vast majority of our more than 250 million monthly users worldwide. The decision to retire a long- standing feature was made only after careful consideration and was based on data and traffic.”

That’s right. Coming this President’s Day to a monitor near you, all of IMDb’s message boards are being permanently deactivated,joining the ranks of numerous social media sites that once bustled with traffic and life and slowly disappeared into the electronic abyss, such as MySpace, Friendster and Yahoo! Buzz.

* Upon the completion of this, as it turns out, February 20th for the people over at IMDb began in the UK, so in America, the boards actually went cold around 4pm Pacific Time, to the disappointment and anger of many. Matt Damon put it best in “The Martian” when his first transmission to NASA informed them of his survival: “Surprise!”.

Frankly, it’s been a long time coming.

For the last few years, I’ve heard from many people, both close friends and online acquaintances who were members at one point, about how far in quality the site had fallen thanks to online trolls that would turn numerous boards into hotbeds of petty insults to demean either the film, anyone involved with it or anyone who enjoyed it. A website that had been a big part of my online life since I was a teenager, where I had encountered and participated in a number of rewarding conversations that gave me new appreciations for a number of the films that have held a special place in my heart, was this massive trainwreck? It didn’t feel right to me.

It was when I recently started paying closer attention to the patterns and behaviors of a number of posters that I realized how wrong I was. It was far, far worse than they were describing it and that isn’t meant to be hyperbolic.

“We came, we saw, we kicked its ass!” – Peter Venkman, ‘Ghostbusters’.

Last year, inspired by the behaviors of those forums and L.A. Times’ contributor Todd Martens own article on “The Age of Entitlement”, I set out to write about “the ugly side of fandom in the social media age.” While that article was ultimately uncompleted, there was a completed section, itself a striking example to understand this “surprising” move on IMDb’s part, that was dedicated exclusively to the message board for Paul Feig’s “Ghostbuster” remake, still controversial among the most “passionate” of commenters, and its place on fandom’s whipping post.


Originally, I intended to employ a number of examples from the boards for anything in the DC cinematic universe, as those remain a hot button topic for both hardcore fans and casual moviegoers, but the summer’s blockbuster movie season provided both an unequivocal gold mine and an early Christmas in the form of the boards for Paul Feig’s controversial “Ghostbusters” remake. In appearance, it is little more than one “insignificant” message board in a sea of message boards. On closer examination, it is literally the social media world’s personification of cancer, if such extreme comments can be believed (and in this case, it should).

A great deal of time was spent observing it’s home page, where the consensus was trashed the moment voting was opened, and that board, from the days leading up to the film’s release to the finalizing of this, to find the right way to describe it. It has consistently remained a breeding ground for bitter, entitled “fans” – to consider them in the same league as actual fans would truly be an insult – and their acolytes who have taken a sort of permanent residence to post onslaughts of bullying and antagonizing comments. Even a handful of the “haters” from the DC boards “take breaks” to swing over and fuel the flames alongside their “brothers and sisters in crime”, claiming “political correctness” and a collaboration between “SJW Feminazis” and “liberal cucks” – you know, every term that comprises the thoroughly lazy “alt-right” dictionary – have completely tarnished the history of a simple franchise with a special place in many hearts.

The constant “excuse” to defend their behaviors has been to blame Mr. Feig and the stars of the film for their harsh words over the criticisms that had circled around the production. But let’s be real here. It wouldn’t have mattered if Mr. Feig and his leading ladies stayed silent or adapted a form of online stoicism or even, to make a bold statement, made a film that managed to surpass the original. These “fans” made their minds up the moment the filmmakers and cast were set in stone and nothing was going to change them.

A number of these “posters” have also taken exceptional pride in their relentlessly vicious tirades against actress and comedienne Leslie Jones. When infamous online commentator and admitted troll Milo Yiannopoulis was justifiably banned from Twitter after a number of his fans went after her after reading Mr. Yiannopoulis’ review of the film (which was also highly critical of Ms. Jones’ features), they automatically sided with him and claimed Ms. Jones was incredibly “racist” against white people, citing a number of earlier Tweets that read like satirical observations of . When her personal information and photographs were hacked and spread online, these people and various social media sites took a further nosedive in terms of integrity and common decency, if such a thing even exist from such a clearly skewed perspective.

I was thinking of doing a ranking of who the “worst” offenders were – ranging from one poster who has taken to harassing Paul Feig on Twitter daily about the film’s box office performance to a woman who has openly attacked the film since Mr. Feig was announced as director in October 2014 – but there’s no way to say one is “worse” than another. These people are all “guilty as sin” and just genuinely arrogant and unlikable individuals who reflect the absolute worst of fan culture online.

“All cruel people describe themselves as paragons of frankness.” – Tennessee Williams

It isn’t just things like “Ghostbusters” or any popular film that’s bore the brunt of the trolling commentary. This type of behavior has also spread to a multitude of titles, usually the ones revolving different minorities.

Even before Nate Parker’s controversial past came to light on the eve of the release of “The Birth of a Nation” (which would ultimately slight his reputation and that of his film), people arrived to give the film a negative rating and make numerous degrading comments about how the film, a highly dramatized retelling of Nat Turner’s brief uprising against Virginian slave owners, was meant to instigate “race wars” that were sure to break out during screenings of the film (something that never happened, as I went to see it with a good number of people from varying races and all that happened after the movie were discussions of Nat Turner’s short lived revolution). Similar happened the previous year with the release of Tom Hooper’s “The Danish Girl”: negative ratings were immediately given following the film’s premiere at Venice and a slew of homo- and transphobic comments against Lili Elbe, the subject of the story, and actor Eddie Redmayne for playing Ms. Elbe (although most of the derision directed at Mr. Redmayne and Mr. Hooper came from incensed LGBT activists who found the idea of a male actor playing a transgender icon like Ms. Elbe insulting to her legacy).

While not as extreme an example as what goes on over at “Ghostbusters”, if one were to visit the board for Jeff Nichols’ recent Oscar nominee “Loving”, a handful of poster – including one claiming to be Meade Skelton, a Virginian country music singer known less for his music catalog and more for his thoroughly mocked social persona, as a number of Urban Dictionary entries highlighted – have made posts labeling the film as “propaganda” to “promote a gay agenda.” There’s something funny about such an argument being made when you think about it as there is never a mention of homosexuality in the whole film, although the real Mildred Loving came out in full support of same-sex marriage a year before passing. Parallels can certainly be drawn between what the Lovings went through to have their marriage legally recognized and the thin ice same-sex marriage has skated on, but if such a parallel isn’t even subtly alluded to in the story – and film has always been used as a medium to explore social injustices through subtle or blatant commentary – then forcing a connection feels more like a need for justified outrage.

And, as a capper, with the release of both Raoul Peck’s Oscarnominated documentary “I Am Not Your Negro” and the divisive trailer for Netflix’s upcoming adaptation of Justin Simien’s “Dear White People” (the “controversy” about that trailer will be part of another article that will be published close to the premiere of the series this April) has ushered in a slew of comments similar to the ones that plagued “The Birth of a Nation” and earlier prestige pictures that touched on similar subject matter and content. The pattern is the same: people who’ve made snap judgements based on the titles and no understanding of the subject matter apart from what they interpret from watching the marketing. Unsurprisingly, one or two posters from the “Ghostbusters” board have made appearances on those boards to “fan the flames” of any dissent.

“When a forest grows too wild, a purging fire is inevitable and natural…” – Ra’s al Ghul, ‘Batman Begins’.

Why is it people behave like this on such “open forums?” It’s easy: with the forms of anonymity message boards provide (when I log on, I only ever see my real name in a right hand corner of the main banner), there is little accountability to be had. When one can’t be held accountable for their comments, no matter how ludicrous, erroneous or heinous they may be, the ego is allowed to run rampant. This is something I have been just as guilty of as the subjects of this rather scathing opinion are. While my only defense is any acts of “antagonism” I have directed at others online have always been at people who have belittled others to begin with, there are examples where the term “total bastard” feels appropriate. If IMDb had sprung more money for moderators to monitor this behavior more closely and nip it in the bud when it got too out of control, it would ultimately be for naught as the damage has already been done. The ones who ultimately suffer are the posters who’ve done nothing, the ones who’ve calmly tried to maintain peace to little effect, but what happened with IMDb should serve as a reminder that commenting “freely” has its price when such freedom is abused as it was here.

(Col Needham; Creator of IMDb)

At the end of the day, there’s a hint of regret and nostalgia in watching the doors close. As an opinion-based cinephile whose love of film is a passion unto itself, there is admitted disappointment in watching the message boards that played such a big part in my growing up in the middle of the social media revolution disappear into the theoretical “eternal night.” But as someone who tries to see the best in people and has struggled to see even a glimmer of good in these people for over a year, perhaps this move is ultimately for the best until everyone, myself included, can learn to discuss differing points of view without allowing the conversation to deteriorate into a repetitive cycle of demeaning insults straight out of the works of French playwright Yasmina Reza.

The post Closing the IMDb Boards: A Blessing for True Film Lovers, A Needed Wake-Up Call for the Internet appeared first on Age of The Nerd.

First Look At DC’s Next Animated Film ‘Teen Titans: The Judas Contract’

(AOTN) – Not long after the release of the highly anticipated Justice League: Dark, DC has released the trailer, images and details for their next animated film Teen Titans: The Judas Contract.

Teen Titans: The Judas Contract will follow the returning team Starfire, Beast Boy, Raven, Blue Beetle, Robin and the just-returned Nightwing as the continue to do battle against evil with a new addition to the team, the mysterious and powerful Terra (voiced by Christina Ricci). This time, the team will take on Brother Blood, who has awakened, and fan-favorite villain Deathstroke (voiced by Miguel Ferrer) is also lurking in the shadows waiting for the perfect time to strike. The Teen Titans will need to battle their enemies and their own doubts to unite and overcome the malicious forces around them in this twisting tale of intrigue, adventure and deception.

Not only are Christina Ricci and Miguel Ferrer entering the DCAU (DC Animated Universe) but so will writer, director and pop culture-lover Kevin Smith as he will be voicing non-other than…himself. Yes, that’s right. Clerks directer Kevin Smith will be “geeking out” somewhere in Teen Titans: Judas Contract.

Watch the official trailer below.


As for what the home releases will include, the enhanced content with the Blu-ray Combo Pack will include:

  • Blu-ray™ Deluxe Giftset, Blu-ray™ Combo Pack & Digital HD. Blue Beetle figure.
  • Sneak Peek – Batman and Harley Quinn: Sneak peek at the next DC Universe Original Movie, featuring the talented creators and voice cast.
  • Featurette – Titanic Minds: Wolfman and Perez: This revealing documentary explores a creative partnership that has lasted decades as Marv Wolfman and George Pérez come together to discuss their careers and one of the most famous runs in Teen Titan history, The Judas Contract.
  • Featurette – Villains United—Deathstroke: When the super-soldier Deathstroke appears, the forces of good will be in the fight of their lives. This short featurette reveals the origin and unique abilities of this villain.
  • Additional Sneak Peeks
  • From the DC Comics Vault – Two Bonus Cartoons (Blu-ray™ Deluxe Giftset and Blu-ray™ Combo Pack only)

The DVD will include a sneak peek of Batman and Harley Quinn.

The Blu-ray Deluxe Giftset will cost $39.99 (SRP), with the Blu-ray Combo Pack at $24.98 (SRP) and DVD at $19.98 (SRP) starting April 18, 2017.

The post First Look At DC’s Next Animated Film ‘Teen Titans: The Judas Contract’ appeared first on Age of The Nerd.

‘Logan’ Film Review

(PCM) There are two words that come immediately to mind when trying to sum up the 20th Century Fox/Marvel film “Logan” and they are gruesome and heart-wrenching, and of course we can throw some bloody and disgusting in there for good measure. The film certainly earned it’s “R” rating from the MPAA, however we are absolutely loving the grittier and edgier side to the Marvel film universe. It is like a breath of fresh air with it’s rawness and nothing felt at all forced. The edge was delivered ten-fold with “Logan”.

The film’s premise is as follows: It’s 2029. Mutants are gone—or very nearly so. An isolated, despondent Logan (Hugh Jackman) is drinking his days away in a hideout on a remote stretch of the Mexican border, picking up petty cash as a driver for hire. His companions in exile are the outcast Caliban (Stephen Merchant) and an ailing Professor X (Patrick Stewart), whose singular mind is plagued by worsening seizures. But Logan’s attempts to hide from the world and his legacy abruptly end when a mysterious woman appears with an urgent request—that Logan shepherd an extraordinary young girl (Dafne Keen) to safety. Soon, the claws come out as Logan must face off against dark forces and a villain from his own past on a live-or-die mission, one that will set the time-worn warrior on a path toward fulfilling his destiny.

“Logan” stars Hugh Jackman in the title role, alongside Patrick Stewart (X-Men: Days of Future Past), Stephen Merchant, Richard E. Grant and newcomer Dafne Keen. The film is directed by James Mangold (Walk the Line, The Wolverine); produced by Hutch Parker, Simon Kinberg and Lauren Shuler Donner; and distributed by 20th Century Fox.

“Logan” has definitely been our favorite film in the X-Men film franchise thus far and Jackman’s performance was nothing short of brilliant. The standalone film marks Jackman’s last time portraying the iconic character of Wolverine on the big screen and he certainly went out with a bang. When speaking about the role Jackman says, “We wanted something that would feel very different, very fresh and ultimately something very human because it seems to me that the strength of X-Men and the strength of Wolverine is more his humanity than his superpower. In exploring this character for the last time, I wanted to get to the heart of who that human was, more than what his claws can do.”

We also can’t give enough praise to work of young actress Dafne Keen in this film. She was absolutely incredible and “Logan” marks her feature film debut. It is hard to imagine the range of emotions she must have had to go through while on-set and her performance shines throughout the entire film. You can listen to our full review of “Logan” here!

Pop Culture Madness! – “Logan” Film Review

For more information about “Logan” please visit:

Official Site: http://logan.movie

Instagram: www.instagram.com/wponx/

Facebook: https://www.facebook.com/TheWolverineMovie/

Twitter: https://twitter.com/WolverineMovie

Hashtag: #Logan

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