Category Archives: Oscars

CBS Dress Code Rules For The 2013 Grammys

February 7, 2013 12:55 pm / Leave a Comment / PCM Staff

(PCM) CBS is looking to clean up their act for the 2013 Grammy Award Show this Sunday Night. They sent out a press release memo (highlighted below) about what will be acceptable for the televised event. Is that a good idea?

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“CBS Program Practices advises that all talent appearing on camera please adhere to network policy concerning wardrobe,” the network’s email message to attendees said.

“Please be sure that buttocks and female breasts are adequately covered. Thong-type costumes are problematic. Please avoid exposing bare fleshy under curves of the buttocks and buttock crack. Bare sides or under curvature of the breasts is also problematic. Please avoid sheer see-through clothing that could possibly expose female breast nipples. Please be sure the genital region is adequately covered so that there is no visible ‘puffy’ bare skin exposure. Please avoid commercial identification of actual brand name products on T-shirts. Foreign language on wardrobe will need to be cleared.

“OBSCENITY OR PARTIALLY SEEN OBSCENITY ON WARDROBE IS UNACCEPTABLE FOR BROADCAST. This as well, pertains to audience members that appear on camera. Finally, The Network requests that any organized cause visibly spelled out on talent’s wardrobe be avoided. This would include lapel pins or any other form of accessory.”

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Posted in: Oscars, TV

Naomi Watts Takes on ‘The Impossible’

January 3, 2013 7:15 pm / Leave a Comment / Paulette

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By Paulette Cohn

Naomi Watts takes on the real-life role of Maria Belon in “The Impossible,” the almost unbelievable story of a family who lived through the 2004 Indian Ocean tsunami and survived to tell their story.

“When my agent called and said, ‘There is this script about the tsunami,’ at first I thought it wasn’t sounding like a good idea. Like, ‘Is it going to be a disaster movie with lots of screaming and flailing about in the water?’ It didn’t feel right,” Watts says.

Then she met writer Sergio G. Sanchez and director J.A. Bayona and her feeling changed. “I remembered feeling how invested they were. They were telling the story and showing me images. I was sure that I wanted to work with these people. They were going to stick to the truth and not make it the other kind of disaster film.”

The story begins on the morning of December 26, Maria, her husband (played by Ewan McGregor) and three sons are enjoying Boxing Day around the pool at their upscale resort in Thailand when a huge wall of black water races across the beach and drowns the entire resort in tons of ocean water.

“The Impossible” is the story of their survival and the kindness and courage of the thousands of strangers they meet after the tsunami wipes out the coast and takes the lives of more than 150,000 people.

Running around barefoot, soaking wet in dirty water, in ditches, what were you thinking?

I knew it was going to be a tough film physically. Water always is and it lived up to its reputation. This story inside the important, powerful disaster that took the lives of so many and affected the lives of so many was really a beautiful piece of intimate storytelling about family, so you forget. You push aside, “Oh, this is going to be a hard day’s work for six months.” I remember when I finished “King Kong,” and it being so physically taxing on my body, I swore off anything action-driven, but I guess you forget. It is sort like childbirth, isn’t it? You go through it again.

What was it like to meet the real Maria?T

I was really dying to meet her and I was quite nervous when it finally came about. I walked into the room and we shook hands. I had been given a half hour timeslot, I didn’t know where to begin. I was, “I am just an actor, and I am going to ask you a silly question. I am sure of it. Look what you lived through and went through.” So, I just sat there and thought, “Wait until she talks,”  and then she started to well up, as did I. It was like her whole story was told in one look. Then we held each other and, I know it sounds really corny, but  it is like she is living on a different level. If I met her today without knowing she had gone through the tsunami, I would probably be intimidated by her because she has a different view on life. I have more cynicism and am slightly jaded; she just thinks that life is extraordinary and is living every moment without fear.

Do you think you have those reserves she must have had to draw upon? Did you find yourself imagining what if?

Oh, yeah. Of course. I think that is what a movie like this does to you. You constantly put yourself in that position: Who would I be? How would I deal with this? I can’t imagine having that centered, powerful instinct that she said came over her. I think of myself as someone who is full of self-doubt and second guessing. I have been in little crisis here and there and I think of myself as a disaster, but maybe when it has to do with your children that’s what happens. I think we crave to try to understand that: How do you get to that place? You are connected to your instinct when you are born, aren’t you? You are like that for a couple of years and then you get more and more removed from it and care about what other people think and do.

What kind of preparation did you do? What kind of rehearsal time did you have with Tom Holland to establish that relationship of mother and son?

We worked together for about a month. We, basically, did all these weird acting exercises. Some of them were goofy and had us in fits of laughter. Some were very emotional, and had us wiping the tears and snot from each other’s faces. We would improvise scenes. We would do the real scenes as per dialogue. It took three or four weeks.

The first scene I remember vividly. We sat in front of each other and draw each other. I was, “What is this?” Then, it didn’t matter what it was. It was just to sit and look at each other and be okay with that and be comfortable with one another.

TDid you and Tom also get time together in the water tanks for some of the more physical aspects?

For the underwater stuff, we had to do mini-scuba lessons because we would be under there and we had to anchor ourselves into a chair. We had to be given oxygen to breathe until we were rolling and then remove it and then the chair would spin. That stuff we did together. I tried my best to get fit before the film because I knew I would be thrown about.

Was there anything borderline scary that happened?

Yeah. The underwater scene that I was just talking about. When you throw away the oxygen, you are on your own and you release yourself from the chair and, obviously, you want them to get the best shots so you push yourself to the edge. I always want to give the most I can give and I got to my limit and I started trying to undo the buckle and I couldn’t get out of the chair. In fact, the chair started spinning me in the other direction. I thought, “Oh, gosh, is the director trying to get extra fearful emotion out of me?” Then, the chair finally stopped and I came to the surface and (she demonstrates gulping air), full of panic and I got the teeny-weeniest glimpse of what it’s like to hold your breath beyond what you are capable of  or want to. Obviously, Maria went way beyond that stage and actually gave up. She wasn’t fearful anymore or panicky. She just went, “OK, I am being taken.” But if filled me with panic and kind of rage and it turned out it was just a technical problem.

“The Impossible” opens in multiple theaters on Friday, January 4.

Posted in: Interview, Movies, Oscars

A Devilish Look At Leonardo DiCaprio And A Fantastic Chat With Sam Rotibi!

December 24, 2012 4:29 pm / Leave a Comment / Kristyn

(PCM)Debra Wallace recently had a chance to chat with the delightful Leonardo DiCaprio. Leonardo DiCaprio shows how deep his acting can go in his recent portrayal of the quintessential bad guy in the new film Django Unchained. Kristyn Clarke was also able to catch up with actor Sammi Rotibi who plays a slave named Rodney in the film as well. You can listen to their chat below as they discuss what attracted him to the role, the chemistry and mood on-set along with the ways that director Quentin Tarantino will break up the tension if things get to be too much!

Opening Christmas Day, the unconventional film, was written and directed by Quentin Tarantino (Inglorious Basterds, Reservoir Dogs, Kill Bill and Pulp Fiction), and DiCaprio said when he read the well-crafted story and learned who his fellow co-stars were going to be, the opportunity became irresistible to him.

Set in the South two years before the Civil War, Django Unchained stars Jamie Foxx as Django, a freed slave, and German-born bounty hunter Dr. King Schultz (Christoph Waltz), who embark on a Western-type quest to free Django’s enslaved wife Broomhilda, played by Kerry Washington.

Django and Schultz’s search ultimately leads them to Calvin Candie (played by DiCaprio), the inhumane proprietor of Candyland, an infamous cotton plantation. DiCaprio became lost in the role and had us believing he is the devil himself. Rounding out the cast is Samuel L. Jackson, as Candie’s trusted house slave.

DiCaprio became a household name after such film hits as Titanic, Romeo and Juliet, Gangs of New York, and What’s Eating Gilbert Grape. His other movies include: The Aviator, The Ides of March, Shutter Island, Bodies of Lies, Revolutionary Road and J. Edgar. His next big challenge is a big splashy remake of The Great Gatsby.

On a recent chilly winter day in Manhattan, DiCaprio looked dapper in a crisp powder blue shirt, Navy blazer and brown hair short and combed back in a wet look. He also looked 10 years younger than his 38 years.

“Leonardo has a level of commitment and seriousness about his work that I don’t think people recognize because he’s very quiet, and he’s very humble, and he keeps to himself,” says Django Unchained producer Stacey Sher. “He is the person who learned as a young man from Robert DeNiro in This Boy’s Life. He’s the person who brings his intelligence, his commitment and his desire to get you closer and closer to the truth.”

Q:What did you learn from playing your evil character Calvin Candie in the new Weinstein movie Django Unchained?

LEONARDO DICAPRIO: Honestly, what was great about doing this role was the sense of community and the support mechanism that I had every single day.

Q: Were their difficult elements to playing such a bad guy?

LD: This was the first character I played that I had this much disdain and this much hatred for. It was a very uncomfortable environment to walk into. I’ve dealt with and seen racism in my surroundings and in my life growing up, but to the degree that I had to treat other people in this film, was incredibly difficult and disturbing. I think it was disturbing for actors on both ends of the spectrum, and it was a very uncomfortable situation.

Q: Although perhaps not the biggest villain of this movie, you play a villain non-the-less. Can you talk about what made you want to take on this role?

LD: Obviously, Mr. Tarantino was a major factor. We all read the script, there was a lot of buzz about this script for awhile, and people were talking about the next Tarantino movie that was about to come out.

Q: What was the buzz about?

LD: The fact that he tackled this subject matter, like he did with Inglorious Basterds and created his own history, and tackle something as hard core as slavery and combine it with the genre of having it be this crazy spaghetti Western feel to it, with this lead character that obliterates the cankerous, rotting south was completely exciting.

Q: Please tell me more

LD: Quentin Tarantino wrote this incredible character, and as soon as I read it I was incredibly excited. This man, is a character that represents everything that’s wrong with the South at the time. He’s this young sort of prince that’s trying to hold onto his privileges at all costs.

Q: What do you mean by that?

LD: Even though he was integrated his whole life with black people, even being brought up by a black man, and live with him his entire life, he has to find a moral justification to treat people this way, and continue his business. He lives with and is brought up by black people, yet he has to regard them as not human. There was absolutely nothing about this man I could identify with. I hated him and it was one of the most narcissistic, self indulgent, racist characters I’ve ever read in my entire life.

Q: So, given all of that you had to do it!

LD:  I had to do it. It was too good, not to do. It was too good of a character in that sense. And of course, it was the opportunity to work with all these great people, too.

Q: Did you have some concerns about the violence and inhumanity being portrayed?

LD: During the initial read through I brought up the point of, ‘do we need to go this far? Do we need to push it this far? Does it need to be this violent? Do I need to be this atrocious to other people?’ Sam [Jackson] and Jamie [Foxx] both said, ‘look man, if you sugar coat this, people are going to resent the hell out of you. You have to push this guy to the utter extremes because this is all, not only historically accurate, but it went even further than that with these atrocities.’

Q: So did you do some research into the time period and the conditions of the slaves?

LD: Yes. And once I did do even more research, and once I started to watch the documentaries, and read about the sugar plantations; yes, we’re just scratching the surface of what happened in our country. It’s a sore subject matter and it’s a subject matter that should be looked at more often and not shied away from, and I commend Quentin for making a film that combines so many different genres and is as daring as it is at actually making the subject matter entertaining for an audience. It’s a daring concept.

Q: You have worked with many great filmmakers, including – Quentin Tarantino, Clint Eastwood and Martin Scorsese. What do they have in common in addition to appreciating your work ethic and acting abilities?

LD: Their professionalism, gifts and the education that comes from working with them is priceless.

Q: Other than acting, what other type of work have you thought of doing?

LD: I’ve honestly only had one wish since I got into this business at  13 years old, which was to be in this business forever. I truly love it. It’s the one thing that I know that I love, and I never want to stop working with amazing actors and creating something that people want to see.

Q: How do you approach making movies?

LD: I see it as an art form. You go to places where you unearth who each of these men are and the clarity comes from finding the specifics.

Q: Why is it that your adoring fans don’t know that much about you? How do you stay so elusive?

LD: I’m for the most part a pretty private person. I want people to believe me in different roles, and not necessarily know way too much about me. I want to be around in this business for a long time. So really of that all works together.

Listen below for our audio interview with Sammi Rotibi:

Listen to PCM’s Interview With Sam Rotibi Here!
For More Music News visit PopCultureMadness.com!

 

Posted in: Celebrity, Hollywood, Interview, Movies, Oscars

Bradley Cooper Finds The Silver Lining

November 15, 2012 8:05 pm / Kristyn

 By Debra Wallace

(PCM) When Bradley Cooper has a playbook it includes Robert DeNiro as his on-screen father and Jennifer Lawrence as the young widow that he romances under difficult circumstances. What more could a film lover ask for?

Such is the recipe for his latest film venture, Silver Linings Playbook, a new drama from The Weinstein Company, opening on November 16, which is already gaining Oscar buzz.

The movie also had a stellar premiere at the opening ceremony of the 21st Philadelphia Film Festival, an 11-day fall event.

This film led a line-up of dozens of riveting new movies, including Flight starring Denzel Washington, The Sessions with Helen Hunt, David Chase’s (Sopranos) Not Fade Away, Cloud Atlas, Wreck-It Ralph, Bill Murray in Hyde Park on the Hudson, and A Late Quartet, starring Philip Seymour Hoffman.

Based on the best-selling book of the same name, in Silver Linings Playbook, Cooper, 37, comes home to Philadelphia to play a former teacher, Pat Solitano, who discovers his wife in the shower with a fellow teacher, snaps and ends up in a metal ward.

He moves back home with his mom and dad, played by Robert DeNiro, tries to reconcile with his ex-wife (despite a restraining order), and meets Tiffany (Jennifer Lawrence), a mysterious young police widow, with problems of her own.

The motto of the character is that there is a silver lining out there – no matter how dire the hand you are dealt, and how all of your best laid plans get messed up. For Cooper’s character, Pat, life does not always go according to plan. Pat has basically lost everything – his house, his job, and his wife.

Now he is home with his parents after eight months in a state institution on a plea bargain, but he is determined to rebuild his life, and remain positive. All his parents want is for him to get back on his feet and share the family obsession with the Philadelphia Eagles football team. As things unfold with humor and emotion, Pat finds his silver lining and tells us there is hope….there is a silver lining out there for each of us.

Q: Why did you pick this movie – Silver Linings Playbook?

BRADLEY COOPER: For me, I just feel like I hit the jackpot with this movie. I mean, I can’t believe that I’m sitting here! And that I got a chance to work with [the director], David O. Russell. It’s an utter dream come true. I just can’t believe this guy wanted me to work with him.

Q:What’s it like when you go out to look for work, is your big reputation and the glare of that spotlight a challenge to live up to?

BC: I don’t even take that into account. It’s ephemeral. I mean, it’s an interesting thing. But yeah, it has nothing to do with what I’m doing.

Q: You play a mentally troubled man. What are you like on your bad days, and what do you do about it?

BC: You hope to be around people that are going to help you heal. You watch this guy go from one place, and end up in another. And he’s not a different character; he’s very much the same guy you met at the beginning of the movie. Yet he’s healed by his family, by love. And he’s lucky enough to have people like that in his life. And who are real too, and dimensional.

Q: Tell me more about this.

BC: Well, there are no bad or good characters in this movie. But I’ve been lucky in my life to have a lot of love around me. So when anything bad happens, I can relate to the movie that there’s healing in your family, and your loved ones. And I think that’s the great thing about this movie actually, is that this movie doesn’t end with a cure. This movie ends with healing.

Q: How do you get into a place where you’re a mentally unhinged person?

BC: The goal is to get to a place where you believe everything you’re saying. And it’s coming from deep. You hear your voice, and it actually feels like you’re talking normally. And in order to get to that place, it’s a myriad thing. It’s your imagination, it’s finding things in myself, people that I know. It’s always different things. But hopefully getting to a place where you just actually believe exactly what you’re saying. So that you don’t have to act.

Q: Your character was a teacher. Did you have a good or teachers growing up?

BC: I had great teachers throughout my whole life, actually. Wonderful teachers. From my Latin teacher in high school, to my French professor, to this director! Yeah, I’ve had teachers throughout my life.

Q: How did you come to this project, or any movie project?

BC: It’s really simple for me. My dreams as an actor were to be in movies. And so all I want to do is work with great filmmakers and great actors.

Q: Tell me about the musical sensibility of the story.

BC: Musicality is a huge part of this movie. And the musicality of the rhythm of the speech. And that’s sort of dictated by the myth becoming more and more softer, and having more contours to it. David gets every actor to a place where they’re out of their head. And they’re actually in the moment, interacting with the other person in real time. And because of the way it’s written, and the rhythms of each character, you sort of have this cacophony of voices that create this sort of jazz music. And it’s that rhythm likened to other movies of old. And yeah, that was exciting. It’s exciting to be a part of that.

Q: Tell me about shooting in your home town of Philadelphia?

BC: The book is set there. And one thing that David nailed, so often when films are set in Philadelphia, if you’re not from there, you just assume it’s some mirrored, small reflection of New York City! But it’s not at all. It has its own accent, and it’s own sort of very interesting mentality that I felt was very tangible in this movie.

Q: What do you mean by that?

BC: You know, just look at the house, the production design of it, is so accurate. And the way that everybody comes together. And you can walk into any household on the weekend, and you’re going to have five people sitting around doing various things. Like at the end of the movie, where people are playing cards, that’s how I grew up. And it’s nice to see that sort of real, embedded element in the movie.

Q: Why is that?

BC: Well, because from that, it’s so anchored that you can watch, and really feel like you’re living in this house, with these people. And walking on those streets. You know, there’s a lot of walking in this movie. There’s not a lot of driving in cars. And you know, like going to the diner, that’s a very neighborhood mentality. So that’s true. And it’s nice to see it in a movie too.

Q: Do you have time to go to the movies like everybody else?

BC: I’m a huge movie buff. That’s one of the things I love to do more than anything, is go into a theater and watch a movie by myself. You know, my life is very normal and I really enjoy having it that way.

Posted in: Celebrity, Interview, Movies, Oscars

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