The Longer You Stare At This Image The Creepier It Becomes!

Photo credit: Jeff Lee Johnson

(PCM) An artist by the name of Jeff Lee Johnson was recently commissioned to illustrate a rule book for a Fantasy Flight card game and one of his pieces titled “Blue Plate Special” is going viral due to all of it’s subtle nods to outright gore.

Seriously … the more you stare at this image the more it engrosses you and the creepier it becomes overall. You suddenly begin to notice all of the horror elements tossed into the image which at first glance appears to be nothing more than an innocent diner scene!

Folks on Reddit and IMGUR have been having a field day picking out all of the gory references pictured in the image. A full list can be found below:

The blind man is eating an eyeball.
The knife is bleeding onto the pie.
The woman has a tentacle.
There’s a tentacle under the stool.
There’s a tentacle-monster under the counter (there’s a lot of tentacle stuff).
One of the men at the counter has a mosquito face.
The bloody hand print on the window.
The scratch marks (or gills) on the blind man’s neck.
The skull in the coffee cup.
Everything on the menu costs 15 (truly terrifying).
The notebook has the word tentacles written in it.
Everything’s tilted, and the people may be losing their balance.
The blind man is reading the paper.

Can you find any other references? Be sure to leave us a comment and let us know what you think and check out some of Jeff Lee Johnson’s other work here!

The Longer You Stare At This Image The Creepier It Becomes! was contributed by a Myth

Exclusive Interview With Author Jack Ketchum

(PCM) “Who’s the scariest guy in America? Probably Jack Ketchum.” – Stephen King

I had the honor of recently interviewing writer Jack Ketchum. Ketchum is a masterful storyteller and has written over twenty novels & novellas. Five of his books have been turned into films The Girl Next Door, The Lost, Red, Offspring, and The Woman.

The Woman and I’m Not Sam were both written with director Lucky Mckee. Be sure to check out for a full listing of his terrifying body of work.

Q: Are writers born or made due to their upbringing or social surroundings?

JACK KETCHUM: I’m no scientist, so I can’t speak for nature. But I do know about nurture. Were it not for my mother teaching me to read pre-kindergarten, encouraging my interest in and love of all kinds of reading — including comic books — I wouldn’t be here today. Then I had some great teachers along the way in high school and college, most notably my sophomore English teacher, Dorothy Senner, who assigned the class to write to a writer and see if they responded. Robert Bloch did, wrote back to me and subsequently encouraged my writing every step of the way until the day he died. A lot of doors opened for me. I owe a lot of good people big time.

Q: You have inspired a lot of writer’s including myself. What advice can you give someone who has a story they want to tell?

JK: Apply ass to chair. Make sure that before you do that you’ve read like a demon, all kinds of stuff. Then, when you think you’re ready, trust yourself and trust the story. And remember to have fun!

Q: Are there any upcoming horror movies that are coming out that you are looking forward to seeing?

JK: I usually don’t know what’s coming until it’s out. I rarely watch previews and never read the trades. Horror movies have always been pretty hit or miss — you wade through a lot of uninspired drek to get to a gem. Fine. I’m good with that. But it also means I don’t get my hopes up prematurely.

Q: You and Lucky Mckee have been quite the successful pairing. How did that relationship come to be?

JK: Lucky wanted to option Red for himself to direct and The Lost for his buddy Chris Sivertson. Once I saw May I was immediately on board. Then we got to know one another, and found that we’re so like-minded in so many ways about movies, books, and life in general that collaboration seemed a natural way to go. Damn glad we did.

Q: Any upcoming projects on the horizon?

JK: I’ve got a new story collection coming out soon called Gorilla In My Room, and the 35th Anniversary edition of Off Season, illustrated, and complete with bells and whistles. After that, I suspect Lucky and I will start a new project before too long.

Q: The first book of yours I read was The Girl Next Door I was both fascinated and horrified. Do you ever go back and read a scene and get goosebumps?

JK: Not goosebumps exactly. But last year I did the audio version of The Girl Next Door, and prior to that I’d never read it out loud. So, there were places where I had to stop myself and say, good grief, I wrote that? Really? That’s really harsh!

Q: You grew up in New Jersey and worked various jobs before writing full time. Do you ever run into childhood friends or coworkers that have read your work?

JK: Happily, there have been a few who’ve found me along the way, including a woman last year who I was absolutely nuts about in college. She went and read everything I wrote in a matter of a few months. And I gotta say, I loved it.

Q: Favorite place to get inspiration?

JK: Lying in bed with my nose in a book.

Q: Do you write every day?

JK: Perish the thought! I’m not driven to write. I take time off for actual life in between projects. Though when I’m doing a longer piece, a book or a screenplay, then I do write something each day, even if it’s only a few paragraphs, just to keep it flowing and hold onto the continuity. Otherwise I’ll lay back for a while and do a short story, essay or poem every now and then. It’s got to be fun for me, the way it was when I first started, or else it becomes a job…and I’m allergic to jobs.

Q: I’ve read that you loved Elvis Presley growing up. If you could have one conversation with him what would you talk about and would you give him any advice?

JK: Well, he’s dead, and I imagine that’s pretty boring, so that might limit our conversation. If I could have talked to him while he was still alive I’d have told him to dump that goddamn pissant manager of his, Colonel Tom Parker — or Uncle Tom to some of us — and strike out on his own. But if I’m talking to his spirit or something? I’d say thank you, for giving a thirteen-year-old who was just plain different a shot of courage.

The post Exclusive Interview With Author Jack Ketchum also appeared on PCM Lifestyle.

Lights Out – Movie Review: Sinister Or Shoddy?

The years between 2000-2007 were not exactly stellar for horror movies. Of course there were a few gems that came though such as Jeepers Creepers and What Lies Beneath but they were outnumbered by horror features that only reached a kind of middling level that made them come and go. American remakes of The Ring and The Grudge, Darkness Falls are just but a few of those.

In 2013 director David Sandberg produced a short movie that scared many internet users around the globe. The premise of that was very simple, a concept that was later transferred into it’s bigger brother, titled Lights Out which got its UK release last Friday. But does it fare any better? The short and simple answer? No. And deserverdly so.
For those that do not know the plot synopsis, here goes:

A young boy learns that his older sister experienced some traumatic paranormal experiences when she was younger. The same ones that he is currently undergoing whilst living with his mother! At first they blame their single parent, who has a history of mental illness, but the further they dig the more they realise that what they are experiencing is very much real and they soon find themselves fighting for their lives!

The reason for mentioning the earlier era in the opening of this movie review is because Sandberg seems to have a certain love for that era of horror movie making despite the fact that it wasn’t received very well by audiences. If we backtrack just a little bit and go back to the mention of Darkness Falls, it appears that Sandberg or whoever thought that nobody would notice that a lot of the narrative was ripped right out of that movie and placed in this one. Outside of what made the short movie effective, there is nothing else that could be considered of any primary substance. In fact, it appears obvious that screenplay writer Eric Heisserer struggled to come up with a compelling story to add to Sandberg’s talent for directing the more scarier moments.

As for the spine tingling scenes, they quickly turn into a chore to go through after about the third or fourth jump scare. Maria Bello delivers the only noteworthy performance playing the mentally tortured mother, Sophie, but the remainder of the performances feel quite generic as they normally are for an unimaginable horror flick. Running at a duration of a meagre 81 minutes, it does not feel modest. But that is what happens when most frames of the same movie are filled with the same things it has already tried tricking you with. This probably means that only the first 10 or 15 minutes of the movie is mildly entertaining. Anything after that is like a song that is being played over and over because there are no other songs on the record.

For those that enjoyed the 2013 short movie, it is recommended that you just stick with watching that and let your imagination run wild with all kinds of possibilities and ideas. The feature will only spoil what was supposed to be obscure with a dull narrative that has been told time and time again, eventually making what was supposed to be frightening into something that didn’t really even need explaining, let alone with a shoddy explanation.

It is with a degree of sureness that there will be some fans that did at least enjoy the American remake of The Ring and such. You may get your kicks out of Lights Out it if that was your thing, or even if you are still quite new when it comes to exploring the horror genre. If any hardcore fans wish to take their chances then it’s okay. You haven’t been whisked back to 2002. It may feel like it, though.

Let us hope that Lights Out is a one off and that any potential high box office return does not inspire studios to revisit the recent past. Judging by what I have witnessed on various forums related to this movie, it is something many of us definitely do not want!

The post Lights Out – Movie Review: Sinister Or Shoddy? appeared first on Age of The Nerd.

Patrick Stewart is Ruthless in the New Red Band Trailer for ‘Green Room’

GreenRoom_Poster_long(PCM) What started out as an ordinary gig for the punk band in director Jeremy Saulnier’s horror-thriller Green Room soon dissolves into complete madness and brutal violence in the newly released Red Band (18+) trailer.

Did we mention that the trailer also contains a ruthless and sadistic Patrick Stewart? Watch for yourself below.

Down on their luck punk rockers, The Ain’t Rights, are finishing up a long and unsuccessful tour and are about to call it quits when they get an unexpected booking at an isolated, run-down club deep in the backwoods of Oregon.

What merely seems to be a third-rate gig escalates into something much more sinister when they witness an act of violence backstage that they weren’t meant to see.

Now trapped backstage, they must face off against the club’s depraved owner, Darcy Banker (Stewart), a man who will do anything to protect the secrets of his nefarious enterprise.

But while Darcy and his henchmen think the band will be easy to get rid of, The Ain’t Rights prove themselves much more cunning and capable than anyone expected, turning the tables on their unsuspecting captors and setting the stage for the ultimate life-or-death showdown.

Intense, emotional, and ingeniously twisted, Green Room is genre filmmaking at its best and most original. Saulnier continues to build his reputation as one of the most exciting and distinctive directors working today, with a movie that’s completely different from his previous, highly acclaimed Blue Ruin, but which is just as risk-taking and even more full of twists.

The entire cast deliver first-rate performances, but Patrick Stewart gives a transformative and brilliantly devious turn as Darcy—elegant yet lethal, droll yet terrifying, Stewart makes the film simply unforgettable. (A24)

The film has received high praises from critics after its premiere at the Cannes Film Festival in May of 2015 and the Sundance Film Festival on January  22 and is currently sporting a high critics’ rating of 92% on Rotten Tomatoes.

Leslie Felperin of The Hollywood Reporter gave Green Room a favorable review, writing: “As action, it’s niftily executed, the suspense neatly built, and the shocks expectedly surprising.”

Scott Weinburg also enjoyed Green Room, writing in his review for Nerdist: “A meticulously morbid and deviously entertaining piece of low-budget/high-quality action filmmaking.”

Green Room, starring Anton Yelchin (Star Trek, Fright Night), Imogen Poots (Need for Speed, 28 Weeks Later), Alia Shawkat (Arrested Development, Whip It), Macon Blair (Blue Ruin), Joe Cole (Peaky Blinders), Callum Turner, and Patrick Stewart (X-Men, Star Trek: The Next Generation), opens in select theaters April 1 before expanding to a wide open on April 15.

Watch the new Red Band trailer below!

The post Patrick Stewart is Ruthless in the New Red Band Trailer for ‘Green Room’ first appeared on Movie News & Reviews.

Official Trailer For “Lilin’s Brood” Revealed


(PCM) The official trailer for the upcoming film “Lilin’s Brood” has been revealed. The film will be released just in time for Valentine’s Day weekend on February 12 on both Amazon and iTunes.

Directed by Mansa Mojo Brothas, the film stars Martin Sensemeier (the upcoming MAGNIFICENT SEVEN), Maxine Goynes, Brent King, Melinda Milton, Alberto Barros, Catherine Paiz, James Wellington and Sandra Hinojosa.

A “New Media” news coverage team that is stranded near a beleaguered brothel in the middle of nowhere encounter a group or women with a terrifying secret.

The post Official Trailer For “Lilin’s Brood” Revealed first appeared on Movie News & Reviews.

New Footage Debuts from Goosebumps in New International Trailer

Goosebumps_Poster(PCM) Sony Pictures India released a new international trailer for director Rob Letterman’s adaptation of Goosebumps, debuting new footage and monsters from the October 16th release.

Based on R.L. Stine’s beloved series of children’s horror fiction novellas, Goosebumps is directed by Gulliver’s Travels and Shark Tale director Rob Letterman and comes from the story by Scott Alexander (1408, Big Eyes) & Larry Karaszewski (1408, Ed Wood) with the screenplay by Darren Lemke (Jack the Giant Slayer, Shrek Forever After).

Upset about moving from a big city to a small town, teenager Zach Cooper (Dylan Minnette) finds a silver lining when he meets the beautiful girl, Hannah (Odeya Rush), living right next door. But every silver lining has a cloud, and Zach’s comes when he learns that Hannah has a mysterious dad who is revealed to be R. L. Stine (Jack Black), the author of the bestselling Goosebumps series.

It turns out that there is a reason why Stine is so strange… he is a prisoner of his own imagination – the monsters that his books made famous are real, and Stine protects his readers by keeping them locked up in their books. When Zach unintentionally unleashes the monsters from their manuscripts and they begin to terrorize the town, it’s suddenly up to Stine, Zach, and Hannah to get all of them back in the books where they belong.

Goosebumps is based on the also stars Amy Ryan, Ryan Lee, and Jillian Bell and will open in theaters nationwide October 16, 2015.

Watch the new international trailer below and visit and Facebook for more info! Also check out to play a fun Goosebumps scavenger game.

The post New Footage Debuts from Goosebumps in New International Trailer first appeared on Movie News & Reviews.

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