Jeffrey Wright Will Be Taking On The Role Of Commissioner Gordon In New ‘Batman’

The rumors have been swirling about who would be taking on the role of Commissioner Gordon in the upcoming “Batman” film, however it appears that “Westworld” actor Jeffrey Wright is now locked into the role. Actor Mahershala Ali was also being looked at for the role, but it seems that Wright won out in the end. The news was broken via Twitter by director Matt Reeves who posted a simple tweet that read “Tweet! #Gordon and the bat emoji. Tweet! #Gordon 🦇 pic.twitter.com/O4PBX7MmuH — Matt Reeves (@mattreevesLA) October 30, 2019 Wright is best known for his role in the HBO series “Westworld” and has also recently appeared in “James Bond” films and Netflix’s “The Laundromat”. As, for Ali, he will be taking on the role of vampire hunter Blade, who will soon be joining the Marvel Cinematic Universe. Definitely not a bad gig for him as well! Matt Reeves will begin filming “Batman” this January with actor Robert Pattinson putting on the bat suit and taking on the title role. Zoë Kravitz will play Catwoman, while Paul Dano will take …

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Blade Original Movie Soundtrack By Mark Isham Now Available From Varese Sarabande Records

The Original Motion Picture Score for Blade by award-winning composer Mark Isham has been released for the first time on vinyl today and is available on VareseSarabande.com and other retailers. The LP’s jacket, inner sleeve, and labels thematically reference the infamous warehouse rave scene of the vampire thriller from 1998. “The score needed to have an epic super-hero quality but with a very dark side, and it needed to be able to live next to the world of 1990’s electronica – The Prodigy, Chemical Brothers, Aphex Twin, etc. We used a large symphony orchestra supplemented with electronic synthesizers and samplers for a unique musical vocabulary. I did a lot of sampling of weird and strange sounds as well as programming my synth collection. We recorded at the Fox stage which is a wonderful room. The process went smoothly as I had worked tirelessly with Steve Norrington, the director, during the demo process to get what we both wanted. We recorded some sections of the score in smaller segments – to be edited together later – as a lot of the visual effects …

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