“Apollo 11 Quarantine” To Be Released Exclusively With Imax On January 29th

NEON announced today that Apollo 11: Quarantine, the new short film from director/producer Todd Douglas Miller (Apollo 11, Dinosaur 13),will be released exclusively in IMAX® beginning January 29th in select locations. Created by the award-winning filmmakers behind the cinematic event Apollo 11,and co-presented by NEON and CNN Films, Apollo 11: Quarantine will feature never-before-seen 70mm footage sourced from the National Archives and NASA.NEON and CNN Films will be forging a full Academy campaign on behalf of the film for this year’s, 93rd Academy Awards. Summer 1969. The astronauts of Apollo 11 successfully land and walk on the moon. As the world celebrated their historic achievement, the crew’s mission would not be complete until returning safely to earth and undergoing a three-week medical quarantine. This lesser known story, of personal sacrifice and stoic resolve, offers a poignant reminder of our capacity for grace and resilience at this moment of national peril. Director/Producer Todd Douglas Miller remarked, “I am honored to be working again with so many talented filmmakers and the innovative teams at NEON, CNN Films, and IMAX. And very excited …

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An IMAX Experience Worthy of ‘Blade Runner’

Regardless of whether it’s seen in IMAX or viewed in standard DCP, if one considers themselves a Blade Runner aficionado or simply excited to see what Mr. Villeneuve does to expand the Blade Runner mythology, they must make the effort to check this out so experiences like this ultimately “aren’t lost in time, like tears in rain,” to quote Mr. Hauer’s iconic final monologue.

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‘Inhumans’ Review – The Lowest Bar for Inhumans to Step On

(AOTN) For many, Marvel is the ultimate trendsetter for current pop culture. Each new film is warmly received (and occasionally cited as the “new dawn” of comic book movies), audiences fall madly in love with characters once thought too obscure for the mainstream and the actors playing them, the TV shows are big… actually, let’s more »

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