By: Dan Moore When DC fans remember David Ayer’s Suicide Squad, they probably first think of Margot Robbie’s incredible portrayal of Harley Quinn. This wasn’t the first time we have been introduced to this character, Harley Quinn originally appeared in the 1992 show, Batman: The Animated Series, and was voiced by Arleen Sorkin. Since Suicide Squad, the character has reached a new level of popularity, spawning Halloween costumes and a whole new sense of punk style for young girls among many things. Ahead of the follow-up, spin-off titled Birds of Prey and the Fantabulous Emancipation of One Harley Quinn, due out in February, DC Universe has just released an animated series solely dedicated to the frequent accomplice and lover of Joker, titled Harley Quinn. One of the many standout elements of the new streaming series is the score by composer Jefferson Friedman, which he has described as “power punk crossed with carnival music”. Jefferson is no stranger to DC Universe, he scored the 2017 Vanessa Hudgens series Powerless. To get a better idea of Jefferson’s scoring process for Harley Quinn …
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